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This is the blog of Steve Burkett of Italy, Our Italy

Head On!

Two weeks ago, I brought you “The Gondola”. In that article, you saw a photo that I named “Procession”. Here it is, again.

In this photo, we see two gondole, one following the other, under arched bridges along a small canal of Venice. If you want to see how that photo was created…because yes, it was completely created from several elements, take a quick look here.

Today, I show you Procession 2, or perhaps more aptly, ‘Head On!”. Again, two gondole floating on a small canal of Venice, but this time they are traveling head on, rather than in a procession, and may collide if the gondoliers are not skilled in their craft.

This photo, like Procession, was the result of manipulation in Photoshop. When the elements of several photos are brought together in one image, it is called a ‘composite’. This composite was the result of planning well before the trip to Venice in 2012. On my shot list was my self-assignment to collect the elements of this photo. So, this was a targeted endeavor, and not some serendipitous or staked-out encounter.

Here’s how it was accomplished.

First, I had to find the right location for Head On!, so as I strolled Venice, I was on the look out for the right setting. The setting shown below caught my eye, and because I didn’t want to get home to find that I may had missed the exact layout that I wanted, I took several photos…film was expensive, but pixels are really cheap!

After reviewing the photo collection, I decided on the third one…shown below.

A bit of cropping gave my envisioned composite a base from which to work.

I didn’t want this scene to unfold during broad daylight, so I started by darkening the image a bit.

Now, I’m going to insert the first element into the composite, the gondola approaching from the right. Also, I thought that the arched watergate in the left of the image needed a bit of enhancement, so I emphasized the light within the building.

With any composite, the smallest details are important to make the photo believable…the sun angle, the color, the size, etc. In this case, the gondola needs a reflection in the water. So, that’s what I’ll do next. Subtle? Yes. But, important for believability. Unless you compare the images a few times, you may not even notice the reflection.

Now it’s time to insert the gondola approaching from the left, along with its own reflection…yes, though hard to see, it’s there.

You will note that the gondole are not as head-on as I could have made them…after all, I’m free to choose how they are aligned within the image. I made the left gondola a bit smaller than the one on the right…thus inferring that it is not in the same plane. So, they are less head on than they could be. After all, I don’t want anyone to get hurt on their romantic gondola ride.

What’s left? I’d like to crop the image to eliminate the excess water at the bottom…it’s just water and not very interesting.

Did you notice that bright, distracting bow hanging from something or other up and to the right of the watergate? That’s got to go…so it will. And, the arched watergate…I’d like to warm it up a bit with a tad more light coming from inside…and maybe give the grill work a bit of polish. Here’s the final image.

I do enjoy digitally adding a painting effect to some of my photos. So, I’ll do that for Head On!

I know, the painting is not all that obvious viewing it from this ‘distance’. Here are some crops of the photo, giving you a better idea of the brush work that I’ve employed. Clicking on the images will give you are larger view.

Back to the final image above the painted one…it’s still not moody enough for me…it’s a bit too bright for the impending drama that I want to create. It’s time to give it a bit more sinister mood.

So now, in the dark of night, and with drama and disaster impending, and after eight years, I give you ‘Head On!’.

DISCLAIMER: No one was injured in the production of this photo.

Glad to get THAT out of the way…darned lawyers.

I hope that you enjoyed seeing behind the digital curtain to see how numerous images can be composited to create a final, fine art photo.

Ciao for now,

Steve

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A Typical Quiet Walk in Venice

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“Join me now for a quiet walk in Venice’s Dorsoduro sestiere, with pleasant sights along he way”

It’s time to slow our lives down a bit and have a simple, quiet day in out-of-the-way locations of Venice. Tag along as I take a walk through quiet Dorsoduro, ending the day with a pleasant meal…and more.

For sure, there is a lot of hustle-and-bustle in Venice, especially in the districts of San Marco and San Polo, but you and I will be spending the day exploring Dorsoduro.

We plan to visit the Gallerie dell'Accademia (Venice’s art gallery), and have lunch somewhere along the way…though we know not where, as we start. There’s a mask shop I’ve heard about and into which I’d like to take a peek. And, if I have time, there’s Campo Santa Margherita, which is a great place to sit under a tree and do a bit of people watching. Not sure where we’ll go after that, but who cares, right?

So, let’s get going!

We Begin Our Walk

We need to get to Dorsoduro from the Hotel Flora, where we are staying in the sestiere of San Marco. We get to Dorsoduro by passing through Campo Santo Stefano, and then crossing over the Academia bridge. It’s taken us awhile to get away from the area of our hotel, as so many of our favorite shops are situated along Calle Larga XXII Marzo. Like La Ricerca, which we never pass up without going in to browse, purchase, and visit. His mother a master bookbinder 40 years ago, he keeps the tradition alive using a small group of gifted leather and bookbinding craftsmen to supply his small shop. Six years older in the right photo, but still the same great smile!

We pull ourselves away from the craft shops along the way until finally, we are in the quiet Dorsoduro.

As we cross the Accademia bridge, we note the ‘lover’s lock’ that Ellen and I placed there on a previous trip!

Actually, we don’t do that sort of thing. We put it in the same class as graffiti. For this photo, I borrowed the photo from Helen’s and Georg’s lock.

For your information, the Accademia bridge has been completely redesigned and reconstructed to prevent such appliques. Sorry Helen & Georg, no more displays of your true love.

Gallerie dell'Accademia

As the Gallerie dell'Accademia is right before us as we descend from the bridge, we may as well go in to see the magnificent art pieces that hang there.

A discussion of the Accademia will be held for another day, but I’ll just point out one art work that we’ll see on our visit today. It’s Giovanni Bellini’s “Madonna and Child between Saints Catherine and Magdalene”, shown here in a surreptitiously captured photo from a previous visit. There is such beautiful brushwork in this 23”x42” work of art.

We’ve spent a good bit of time in the Accademia, and we feel the pangs of hunger. It’s time to wander toward that lunch that I’d promised you.

We’ve heard good things about Ai Gondolieri, but that is not in the general direction that we had planned to wander…we want to get to the large Campo Santa Margherita to see what we can see. So, we’ll head west.

An Unusual Wine Shop

I’ll snap some photos of the sights whilst we stroll the calle of Venice. Like this wine shop where you bring in your own bottle and self-serve fill it with wine, right from the demijohn. I checked my pockets and didn’t have any bottles on me, so I’ll have to rely on whatever restaurant I find for us along the way.

Bridges Make For Hard Work In Venice

There are 409 bridges in Venice, and one rarely finds one that doesn’t have steps. And as there are no land-based vehicles in Venice, deliveries are made with hand trucks…like this one. This adds to the cost of goods. And it creates delivery men with great leg strength.

See the little wheels just to the front of his rubber tires? That’s the secret to working one’s way up and over the steps.

Stay Tuned for Next Week’s Article

Then here’s a rather non-descript door that I might be able to transform later for you. Maybe even next week. So, be sure to come back to see what I do with this blah snapshot.

A Quick Pharmacy Stop

Here we find a pharmacist, taking a telefonino break.

OK ladies, and you gentlemen interested in maintaining a youthful look, you might want to pick up some of that DÒLIVA advertised in the window of the farmacia. It suggests that you should ‘love your skin’, and promises it will contribute to the care of all 360° of your face. It’s amazing what olives can do for one’s complexion.

Floating Market

What’s this? A floating market..selling fresh produce from the mainland. And, not all is what we see in our own markets.

Ahoy, Matey!

As we take a sharp left to avoid falling into the Rio de San Trovaso canal and losing that bag of Doliva that you’re carrying, we see a father taking his two children on a water-bourn adventure. Are pirates in their future?

I doubt that we will see them in that little boat later on the busy Grand Canal.

Where The Gondole Go For Repair

Now we are along the canal known as Rio de San Trovaso. With a bit of guide-book research, we find that Rio de San Trovaso is the canal from which the gondole of Venice are maintained and repaired. Here is a photo of Campo San Trovaso, where the gondole are dragged up onto dry land (at least it’s dry at this moment, and a bit more on that later).

Seeing this rare site gives me the idea to write a blog article about the ubiquitous gondole soon…stay tuned for that.

And Now, Lunch…Finally!

Along this canal, we find a likely candidate for lunch. Taverna San Trovaso seems to be just what we are looking for…quiet and out of the way.

Here is the entrance to Taverna San Trovaso. Definitely unassuming…but the warm wood promises a warm-inside experience.

Here’s a photo from their website that well shows the inside first floor…which is less formal than the upstairs dinner spot.

Here’s what I’ve ordered for lunch.

First was crudo, stracchino. This translates to raw meat (raw, but well aged and cured prosciutto…you can read more about that in my previous article on Italian meats) and cheese. In this case, the cheese is stracchino (strak-KI-no). It’s a type of Italian cow's-milk cheese that’s eaten very young. It has a soft, creamy texture and normally a mild and delicate flavor. Here is my plate.

You can see that I’ve got a basket of bread and packaged grisini to go along with my crudo. And, I’m sure that you didn’t miss the small carafe of vino rosso. And those who know me well searched and found a can of Coca-Cola Light along the right edge of the photo.

As I’m into just a lite lunch today because I’m saving up my calories for a nice dinner at Antico Martini later tonight, I’ll just have a simple salad…this one with mozzarella, tomato and arugula, topped with a few savory olives. In Italy, mozzarella is made from the milk of water buffalo, and is referred to as ‘bufala’.

That about sums up my typical lunch for today. On other days, I might have worked in fresh seafood, because it is definitely fresh here in Venice.

And speaking of summing up, what has all this come to in Euros? Let’s check out the tab.

That’s a grand total of 30 Euro. I know you are about to say ‘Ouch!’, but remember that everything, and I mean EVERYTHING, brought in and consumed in Venice is brought in by boat. Your wallet? Don’t leave home without it.

And, did you notice the wine and the Coca-Cola for the same price? On a budget, might as well drink the wine.

That last charge of 2 Euro is the ‘cover charge’. This is your ‘sitting down to eat’ charge. Many times, if you eat at the bar (and don’t mess up a table cloth and use the normal wait staff), you will not have a coperto charge.

You are asking, ‘Was your server a woman?’. Yes!

This has been a rare experience in our trips to Italy. So, I’ve decided that documentation is in order!

High Water Mark

We are fortunate that it is not the season of aqua alta, or high water. That season is generally around November, when tides and winds blowing to the northwest up the Adriatic pile a good bit of unwanted water into the Venetian lagoon. Take another look at the entrance to Taverna San Trovaso above, and then look at the photo below (which I snapped from a photo on the wall of the restaurant).

There’s danger in aqua alta! There are many calle that end at a small canal, with no wall or railing to keep you from falling into the canal. When the water is at a normal level, you can see that the calle ends, and you can avoid an unplanned dip. But when the water is high, and has flooded the calle upon which you walk, beware, as there may be a canal, and not an intersection with another calle. Locals know their way around, we don’t.

Let’s continue on our stroll high-and-dry through the calle of the Dorsoduro district.

A Friendly Maker of Venetian Masks

Here’s a friendly craftsman. This gentleman is the maker of the famous Venetian masks that are seen during Venice’s Carnevale (the equivalent of the New Orleans’s Mardi Gras).

Here he’s sitting outside his shop on this sunny day, forming what will become a festive mask.

Shhhh!

It must be a slow day for the gondola trade. Just so you know, I didn’t disturb him as I tiptoed by.

However, it’s not a completely unproductive day for gondoliers, as we can see as this happy couple seem to be enjoying their afternoon ride.

It’s Time for Reflection

Now, we pause to reflect on our day thus far…

Venetians, Doing What Venetians Do

And then there are the Venetians, going about their daily Venetian routines.

Joining In On A Fashion Shoot

Ahh, here’s a fashion shoot. I think I’ll join in. She looks beautiful, doesn’t she.

Hmmm. I seem to remember joining in on a photo shoot yesterday with this same model…that shoot was at the Rialto bridge. Yes, I think it’s the same beautiful model…though with a different wedding dress.

Is Anyone Home?

And here are the door bells for the Polizzi, Gervasoni, and Agnoli families. I wonder what the architect was thinking about when he created this design? Hmmm, I wonder.

An Afternoon Gathering of Friends

In a quiet place, we see two friends having a nice afternoon chat, both with a cappuccino, if I remember correctly.

Souvenir Shopping

And now a shop window, where one can purchase a souvenir hat to commemorate one’s visit to Venice.

Interested in Alfresco Dining?

And here, a typical al fresco dining situation in Venice…outside, but still classy.

We Need To Get A Move On!

Uh oh, that table setting reminds me that I need to get back to the Hotel Flora to freshen up and get ready for that dinner at Antico Martini. I’d hoped to get to Campo Santa Margherita to get supplies for a picnic tomorrow on the super-quiet and out-of-the way island of Torcello. I’ll have to pick up picnic items early tomorrow at the Rialto Market.

Antico Martini is a restaurant that has been in continuous operation since the 1700s and has seen a lot of Venetian history. And, I must say that I also made Antico Martini history, as years ago, I was the first person to ever make a reservation there using the internet! This distinction garnered fresh flowers on the table, as well as prosecco on the house! Thank you, Emilio.

So, it’s back to the hotel. Walking briskly along the Grand Canal, it starts to sprinkle just a bit. And here, I learn what the Venetians do as they drive their boats in the rain. Just what the rest of use do as we raise our umbrellas as we walk.

Stepping Out For Dinner And More

I’ve gathered the group at the Hotel Flora and we are heading out to dinner.

And, here we are at our favorite Venetian restaurant, Antico Martini…always a pleasant and relaxing meal after a long day in Venice.

Are we in the right place? I believe we are.

Scott and I peruse the wine list at Antico Martini, which has many tasty offerings.

Do you recognize the winged lion of San Marco on the wine-menu cover?

It’s time for a toast to friends not present…which unfortunately, includes you..this time.

Our dinner fare is not as simple as that at Taverna San Trovaso, but I was able to have another bufala salad…this one a caprese.

Our After-Dinner Destination

After dinner, one does not go to the movies in Venice…one goes to Piazza San Marco…and should one choose, dancing.

Only when we hear the campanile’s Marangona bell toll midnight do we leave…and then reluctantly. And then, It’s back to the hotel for a restful night’s sleep in this quiet, idyllic hotel.

I’m glad you got to spend the day walking the quiet calle of Dorsoduro with me. But now, at the end of the day, it’s time to spend a bit of time with my bride.

I hope that you enjoyed our stroll through the calle of Venice’s quiet Dorsoduro sestiere. And, Dorsoduro is just one of six sestieri that make up the amazing floating city of Venice. Maybe tomorrow we’ll run into each other in Cannaregio’s Ghetto. Or, maybe we can relive Venice’s sailing days at Castello’s Arsenale. Wherever you may roam in Venice, I know that you, too, will create many memories along the way.

Ciao for now,

Steve

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The Results Are In: Part 19

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“It’s an incredible achievement to be selected among the best from the 6,378 entries from 69 countries we received this year” said Basil O’Brien, the awards Creative Director.”

I just got word from the folks at the Spider Awards that I received recognition in their 2020 photo context, which is a contest for black & white entries.

There were many, many photos submitted…to be exact, the number was 6,378. And, it is an international competition, where entries came from 69 countries.

The Spider Awards is a juried competition, which means that it isn’t just one gal sitting at her computer making decisions. There’s a whole panel involved…and the judges are the photo industry’s biggest names, like these so-called ‘captains of the industry’:

Musee de l'Elysee, Lausanne
Sotheby's, London
Travel/Discovery Channel, New York
Kunsthaus Zurich, Switzerland
Portuguese Center of Photography, Porto
Aeroplastics Contemporary, Brussels
The Guardian, London
Contrasto Galleria, Milan
ADK Creative One Inc., Tokyo
Hiroshima MOCA, Japan
MACBA, Barcelona
Pereira O'Dell in New York

The judges from these agencies viewed all of the photo entries, picked out ‘Nominations’ for further review, and then pared all down to the winners of 1st, 2nd & 3rd place, followed up by the ‘Honorable Mentions’. Unlike other contests, I didn’t have any photos in the top-three Winner’s categories (grrrrrr), but I did have a number of Honorable Mentions and Nominated photos.

So, here are the photos that made the Nominated and Honorable Mention recognition.

Nominated

Abstract Category

An afternoon walk in Venice after a rain shower was the time and place. This brushed aluminum tabletop caught my eye for its abstract quality, and where the accumulated rain drops seem to float above the metal surface.

Architecture Category

Driving from Jackson, Wyoming to West Yellowstone in January is definitely a chilly experience. This abandoned General Mills grain silo pulled me off the snow-covered highway to take this photo. Is it possible that the grain for my childhood Cheerios came from this very silo?

Fine Art Category

During a trip to Northern Ireland, we drove on a narrow strip of road through The Dark Hedges. These weren’t your between-your-house-and-your-neighbors type of hedges…these were ancient, gnarly trees. This was a dark, brooding, and moody place…so that’s what I work toward in this photo.

Coastal Maine is a fabulous place. I just love the whole culture of fishing and lobstering and the super-quaint fishing villages along the coast. Here, it was early morning…the tide was out…it was very, very quiet and peaceful. And this photos brings back treasured memories.

Still Life Category

Another thing I love to do is drive the back roads of Kentucky and Tennessee. Photo opportunities abound around every corner. In the spring, the dogwood are blooming in all of their glory. I seem to drive a herky-jerky path along these backroads as I constantly stop to take photos.

Honorable Mention

Aerial Category

Here we find a couple of aerial photos that you’ve seen in color from previous photo contests.

The first image was captured with my drone in the area of East Vail, right here in my home state of Colorado. It was springtime, and the sun was out, casting long, afternoon shadows.

Driving through central Nevada (which I absolutely love because of its geology and stark beauty), I noticed in my rearview mirror…well, nothing really…there wasn’t a car in sight…just a very long, straight stretch of nothing but highway. I just had to pull over to launch my drone to capture this image. It is arrow-straight all the way to the horizon, with nary a quiver.

Abstract Category

It’s back to Venice for another abstract photo. Canal steps like these are found along many of the canals of Venice. As the water level fluctuates with the tides, you may need to step down steps like these to gain access to an awaiting boat. Here, it seems that the tide was out…but would soon rise.

Well, my lips are a bit sore from tooting my horn, so I’ll rest them by having a glass of Italian DOCG wine. I hope you enjoyed seeing what the distinguished judges picked out from thousands of photo entries. Until next time…

Ciao for now,

Steve

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Transforming an Abandoned Watergate

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A short transformation today. Very little verbiage.

Today’s transformation subject is what used to be a Venetian watergate. Wategates were explained recently on the article here.

There is something afoot with this watergate, though. It has been partially sealed up with stone to leave just a window. But, that won’t stop me in my efforts to transform it from snapshot to fine-art print.

Here is that initial snapshot.

I’m embarrassed to even share this snapshot with you! It is absolutely horrible…horrible timing in catching the rear end of that gondola…horrible window to the left with women’s fashion…horrible window with signage to the right, though the wording is sort of inspirational and encouraging as I begin to transform the photo. But, that segment of gondola does give me an idea though…more on that later.

About that Moncler signage. I did an internet search, and I find it is a fashion company. And, ohhhh what fashion it is ladies. I mean, who isn’t into puffy winter coats these days? You will probably want to grab one of these whilst they are still available. Click on the thumbnails if you have the stomach for it…

So, my first task is to remove that piece of gondola. And, as I didn’t like that window to the right - even though if was oh, so encouraging — I will make it vanish. Cropping will take care of the shiny window to the left. There is a bit of electrical conduit to remove, too.

Wallah…done. And straightening? Yes, I took care of that, too.

It’s a good bit washed out so I need to add some of that old Venetian patina.

Seeing that passing gondola gives me an idea. I think I’ll put a gondola into the photo, but not the one that was there originally. I’ve got a lot of gondola photos, so I’ll just row one of those into the photo. The prow instead of the rear, I think.

Ouch, the water? There is a bit of a wake from the oar of that original passing gondola. So, I’m going to smooth out that disturbance in this tranquil universe.

That’s it. I’m thinking though that some reflection would make the water a bit more realistic, so I’ve taken care of that, too. And, of course the gondola should have a reflection…and a bit of shadow under it…so there it is!

If there is a lesson to be learned here, and if you are a photographer with digital resources yourself, just shoot away and work on those photos in post. It is often catch-as-catch-can as you are passing by something that you feel might become of interest in the future.

AN OFFER: if you have a photo that you like, except for some distractions that need to be removed, colors adjusted, etc., send one to me in an email and I’ll work on it a bit to see if we can give it more life.

That’s it for today. I’m going to row on off to another canal, as there might be something to catch my eye just around the bend.

Ciao for now,

Steve