Let’s take a break from eating Italian style for a quick photo transformation. Working to transform a blah snapshot into a fine art image is where I find myself in my happy place. I like being happy, and I hope that you do, too.

The Starting Snapshot

“That lock now raises an interesting dilemma”

Today’s starting snapshot comes from Venice. I had visited the Rialto Market early this morning, as one must do in order to see all of the fresh seafood produce displayed. The Rialto Market is in the San Polo sestierie of Venice. Now, I am venturing into new territory to the northwest of the Rialto, and here I came across a rather unusual façade, as you can see in this snapshot.

As usual, things are a bit wonky before the photo editing begins. First of all, the photo has been saved as a RAW image by my camera, rather than the ubiquitous JPEG format of 99.9% of cameras, like the one on your telefonino (mobile phone). If you want to know more about RAW vs JPEG, my previous article here will explain all.

[If you click on an image, you will get a full-screen view]

So, this first image has no contrast, saturation, or sharpening applied before it is saved…so it looks rather flat…not to mention distorted. A JPEG would look a lot better, initially. Using my digital darkroom tools of Adobe’s Lightroom and Photoshop, I can fix all to my satisfaction. So, let’s get started on that.

Step 1 - Distortion

My first action is to get rid of the distortion caused by a wide-angle lens as it is aimed up just a bit.

The distortion has now be resolved.

Step 2 - New-World Distractions

I don’t want to present to you an Italy of today, with its modern distractions, like the electrical conduits and house numbers you see above. I explain more about this in my previous, almost ancient, article titled ‘The Venice That Isn’t There’. I want you to see the old Italy…the Italy of 600 years ago. I’m going to get rid of these modern distractions.

Done. No more electrical conduit or house number.

Step 3 - Saturation, Contrast & Sharpening

Now I will do what your camera does when it saves your images…I’ll add just a bit of saturation, contrast and sharpening.

Saturation, contrast and sharpening is done

Mission accomplished.

Step 4 - That New-World Security Grating

The metal grating to the right of the photo is grating on me…it doesn’t elicit the old-world charm that I am working toward. It has to go.

Gone. It took awhile because there is a shortage of ancient-looking brick in Venice at the moment. They said it has something to do with Covid. After keeping at it, I was able to find the materials and laborers (me, by the way), to get the job done.

Step 5 - Let’s Work on the Door

That door is just a tad too old world…Or just battered and faded. I’m going to give it a quick paint job.

Ouch! It looks more psychedelic than old, like it is from the 70s (the 1970s, not the 1470s). Sorry, I couldn’t help myself. I’ll have to tone it down a whole lot. Now, what color do I want to end up with? Hmmm…

Step 6 - A More Subtle Door Painting

Mi dispiace (I’m sorry). That paint job was horrible. I’ve removed that garishness and I’ve decided to spruce it up with a nice red…not too jazzy…but just right…like the color of a nice glass of Banfi Brunello.

OK, I know…you’re saying, ‘Hey Steve, you left a modern convenience on the door’. You saw that lock, didn’t you? It’s dead-center in the photo to the right. I didn’t see it until I was putting on that horrible paint. I’ve now removed it.

That lock now raises an interesting dilemma. It looks as though the door is in two parts…basically a double door. So, what is the lock doing over to the side of one of those doors, rather than at the middle, to secure the two doors together. A mystery what we won’t be able to unravel at this time. A great excuse for going back to Venice, right? But that’s nothing folks. Some of you may remember a door that had at least six locking mechanisms on it. Refresh your memory, or create a new memory, by checking out this very, very secure entrance door.

Enough talk, I need to get painting.

The painting has been resolved.

Step 7 - The Patina

Those of you who have been around for a bit know that I always like to finish with the nice patina of old Italy. So, that’s what I’m going to apply, now.

I hope that you have enjoyed the after-my-journey-in-Venice digital-journey-of-transformation that I’ve produced for you today. We’ve taken a very blah snapshot of an unusual façade, and we’ve transformed it into a fine-art photo.

It was a pleasure to have you beside me on this journey. But, better still, let’s do this…rather than a digital journey into the vast intrigue of Venice, let’s do it together…in person. Oh, I do hope we can do that together some day. But until then, I say…

Ciao for now,

Steve

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Way back in 2016…you remember 2016 don’t you?…I took you to the island of Burano. You can tap here to recall this very colorful island which sits in the Venetian lagoon. Whilst exploring this unique place, I came across yet another door. I know, I know…that’s what I tend to do when I’m in any part of Venice…or Italy in general, for that matter.

This particular door wasn’t all that photogenic, but I made a snapshot anyway. I thought that I might be able to spruce it up a bit. There was a bit of faded graffiti to the right of the door. And on the door was a dire warning of some sort. But, as you know, that just doesn’t stop me.

The Snapshot

Here is the snapshot…

The Warning Placard

Regarding that warning on this door…what is that, anyway? Let’s take a look. You can click on the image to get a closer look.

We can see that lightening bolt, which normally means ‘electricity’.

And one of the warnings seems to say, “Don’t touch this”. While the other warning lets us know that we shouldn’t throw a bucket of water on a fire here, should we encounter that.

Below that graphic we can see that this is the Mandracchio area of Burano. A mandracchio is a small inlet where one would tie up a couple of boats, which fits well with this island/town of Burano. And the logo at top left suggests that the Enel energy company put this label there. And this ‘cabin’ has been here since January of 1989.

I’ll be darned, this isn’t a door to a residence or business, but its an electrical closet of some sort.

I can hear you now, “Don’t worry about any of that, Steve…go ahead and do your transformation thingie!”. Ok, ok, I’m on it.

The Transformation

The first item is the removal that warning placard. And hey, did you see that kids have been playing a bit of soccer here, as we can see from the soccer ball imprint on the door. Careful kids! And, while I’m at it, I may as well straighten and crop a bit.

The placard is now gone, as is the soccer ball imprint.

Let’s now give the image a bit of color…it’s much too blah.

We’re getting close, but I’m wanting to see a bit more of that Venetian patina. I forgot all about that bit of graffiti to the right of the door…sorry about that. It has to go.

The Final Image

OK, here it is…the final image.

Disclaimer!

Uh oh, the carabinieri are here! I swear that I didn’t remove that placard. Well, maybe I did. But, I’ll put it back, ok? Done!

Endings

Not a lot of charm in this doorway, but what would one expect from an electrical closet, right?

I’ll keep wandering the calle of Burano to see what I can see. I know that there are a few women around who still make handmade lace, so I’ll see if I can find some.

There they are. Well, it appears that one is making lace, one is checking out a catalog, and one is thinking about what she will make for her dinner’s secondi course tonight. Come back next week to find out.

That’s it for today’s transformation. Come back next week to see what sort of possibilities abound with the secondi course at the Italian mealtime. Until then…

Ciao for Now,